<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Farewell-Tour on vo.rs</title><link>https://vo.rs/tags/farewell-tour/</link><description>Recent content in Farewell-Tour on vo.rs</description><generator>Hugo</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 05 Dec 2023 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/farewell-tour/index.xml" rel="self" type="application/rss+xml"/><item><title>The Reunion Tour Is a Séance</title><link>https://vo.rs/encore/the-reunion-tour-is-a-seance/</link><pubDate>Tue, 05 Dec 2023 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/the-reunion-tour-is-a-seance/</guid><description>&lt;p&gt;Three nights ago, on 2 December 2023, KISS finished. Madison Square Garden, twenty thousand people, two and a quarter hours of pyro and blood and platform boots, and then the four men in the make-up took their bow and walked off for the last time. Except they didn&amp;rsquo;t walk off. After the last chord of &amp;ldquo;Rock and Roll All Nite&amp;rdquo;, the screens read &lt;em&gt;A NEW KISS ERA STARTS NOW&lt;/em&gt;, and four digital avatars — younger, taller, smooth-faced, laser-eyed — strode on to finish the encore. The band that had just retired was already back, rebuilt in polygons by Industrial Light &amp;amp; Magic and the Swedish company that runs the ABBA hologram show. The corpse was still warm and the séance had already started.&lt;/p&gt;</description></item><item><title>Slayer's Farewell: When the Riffs Meant Goodbye</title><link>https://vo.rs/encore/slayers-farewell/</link><pubDate>Mon, 19 Nov 2018 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/slayers-farewell/</guid><description/></item></channel></rss>