<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Existential - vo.rs</title><link>https://vo.rs/tags/existential/</link><description>Latest from the Existential desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 08 Sep 2025 11:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/existential/" rel="self" type="application/rss+xml"/><item><title>Cemetery Man: The Philosophical Zombie Romance</title><link>https://vo.rs/screen/cemetery-man-the-philosophical-zombie-romance/</link><description>&lt;p&gt;The Italian horror industry was more or less finished by 1994, its great directors ageing or working in television, its cheap-and-lurid model killed off by home video and shifting tastes. And then, at the very end, it produced &lt;em&gt;Cemetery Man&lt;/em&gt;, a film so odd, so beautiful and so quietly heartbroken that it plays like the whole tradition sitting up one last time to say something it had never quite managed before. Released in Italy as &lt;em&gt;Dellamorte Dellamore&lt;/em&gt;, &amp;ldquo;Of Death, Of Love&amp;rdquo;, Michele Soavi&amp;rsquo;s film is a zombie comedy, a doomed romance and a philosophical shrug about the pointlessness of everything, and it holds all three in the same hand without dropping any.&lt;/p&gt;</description><pubDate>Mon, 08 Sep 2025 11:00:00 +0000</pubDate></item></channel></rss>