<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Evil Dead - vo.rs</title><link>https://vo.rs/tags/evil-dead/</link><description>Latest from the Evil Dead desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 25 Mar 2025 14:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/evil-dead/" rel="self" type="application/rss+xml"/><item><title>Sam Raimi: From the Cabin to the Multiplex</title><link>https://vo.rs/screen/sam-raimi-from-the-cabin-to-the-multiplex/</link><description>&lt;p&gt;There is a shot that recurs across Sam Raimi&amp;rsquo;s whole filmography, and once you notice it you cannot stop seeing it. The camera stops being an observer and becomes a predator. It skims low over the ground, tears through a forest, bursts through a window, races at a screaming face — a point of view that belongs to no character, only to a malevolent force with a body of its own. Raimi built a forty-year career on the belief that the camera is not furniture. It is a performer, and it can act.&lt;/p&gt;</description><pubDate>Tue, 25 Mar 2025 14:00:00 +0000</pubDate></item></channel></rss>