<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Ero-Guro - vo.rs</title><link>https://vo.rs/tags/ero-guro/</link><description>Latest from the Ero-Guro desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 30 Dec 2025 12:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/ero-guro/" rel="self" type="application/rss+xml"/><item><title>Blind Beast: Masumura's Chamber-Piece Obsession</title><link>https://vo.rs/screen/blind-beast-masumuras-chamber-piece-obsession/</link><description>&lt;p&gt;Yasuzō Masumura made &lt;em&gt;Blind Beast&lt;/em&gt; in 1969 for Daiei, and it remains one of the most single-minded films I know: three actors, essentially one set, and an idea pursued with the patience of a man who intends to reach the very bottom of it. Adapted from a novel by Edogawa Rampo — the pen name of Tarō Hirai, chosen as a Japanese echo of Edgar Allan Poe, and the founding voice of the country&amp;rsquo;s &lt;em&gt;ero-guro&lt;/em&gt; tradition of erotic-grotesque fiction — it is a horror film with almost no violence in the ordinary sense and almost no plot in the conventional sense. It is a film about touch, and about what happens to two people sealed inside a single obsession.&lt;/p&gt;</description><pubDate>Tue, 30 Dec 2025 12:00:00 +0000</pubDate></item></channel></rss>