<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Early Sound Cinema - vo.rs</title><link>https://vo.rs/tags/early-sound-cinema/</link><description>Latest from the Early Sound Cinema desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 05 Sep 2023 08:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/early-sound-cinema/" rel="self" type="application/rss+xml"/><item><title>Vampyr: Dreyer's Dream Logic of Dread</title><link>https://vo.rs/screen/vampyr-dreyers-dream-logic-of-dread/</link><description>&lt;p&gt;Carl Theodor Dreyer made &lt;em&gt;The Passion of Joan of Arc&lt;/em&gt; in 1928 — one of the towering achievements of silent cinema, a film composed almost entirely of faces — and then, with sound arriving to change everything, he made a horror picture financed by the young aristocrat who agreed to star in it. &lt;em&gt;Vampyr&lt;/em&gt; (1932) is the strangest kind of follow-up: a director at the peak of his powers deliberately building a film that feels like something remembered wrong. It was a commercial disaster, misunderstood on release, and it has spent ninety years slowly being recognised as one of the few horror films that genuinely reproduces the texture of a bad dream.&lt;/p&gt;</description><pubDate>Tue, 05 Sep 2023 08:00:00 +0000</pubDate></item></channel></rss>