<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Dread - vo.rs</title><link>https://vo.rs/tags/dread/</link><description>Latest from the Dread desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 07 Apr 2026 13:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/dread/" rel="self" type="application/rss+xml"/><item><title>Denis Villeneuve: The Widescreen Unease</title><link>https://vo.rs/screen/denis-villeneuve-the-widescreen-unease/</link><description>&lt;p&gt;Denis Villeneuve makes enormous films that feel like someone holding their breath. This is the paradox at the centre of his work, and it is why he ended up with the keys to &lt;em&gt;Blade Runner&lt;/em&gt; and &lt;em&gt;Dune&lt;/em&gt; while flashier directors were left arguing on Twitter. He takes the largest canvas the industry can print — 65mm, IMAX, budgets with a lot of zeroes — and uses it to render a very small, very human sensation: the moment before the bad thing, stretched until the room goes quiet. Nobody working at his scale is as comfortable with silence, and nobody makes silence feel as much like a threat.&lt;/p&gt;</description><pubDate>Tue, 07 Apr 2026 13:00:00 +0000</pubDate></item><item><title>Kiyoshi Kurosawa: Dread Without a Jump Scare</title><link>https://vo.rs/screen/kiyoshi-kurosawa-dread-without-a-jump-scare/</link><description>&lt;p&gt;There is no one else in horror who scares you with an empty room the way Kiyoshi Kurosawa does. No jolt, no orchestral sting, no figure lunging from a cupboard. He gives you a wide, grey, badly lit space — an abandoned factory, a flooded basement, a dim clinic corridor — holds the shot longer than is comfortable, and lets your own eye do the terrifying work of scanning the corners. Something is wrong in the frame before anything happens in it. That is the Kiyoshi Kurosawa signature: dread as an atmospheric pressure rather than an event, a sense that the world itself has gone slightly, permanently off.&lt;/p&gt;</description><pubDate>Sat, 07 Feb 2026 13:00:00 +0000</pubDate></item><item><title>The Cosmic-Horror Canon Beyond the Lovecraft Adaptations</title><link>https://vo.rs/screen/the-cosmic-horror-canon-beyond-the-lovecraft-adaptations/</link><description>&lt;p&gt;Cosmic horror is the hardest kind to film, which is why the direct Lovecraft adaptations so often disappoint. Put the monster on screen and you shrink it; a thing with a rubber face and a body count is a creature, and the whole point of cosmic horror is the opposite of a creature — the sensation that the universe is vast, ancient and utterly uninterested in you, that knowledge itself is dangerous, that some doors, once opened, unmake the mind that opened them. The films that actually deliver that sensation mostly leave Lovecraft&amp;rsquo;s name and his squid-gods on the shelf and chase the feeling instead. Here are ten that get there without adapting a single story of his. All kept spoiler-free.&lt;/p&gt;</description><pubDate>Thu, 27 Mar 2025 13:00:00 +0000</pubDate></item></channel></rss>