<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Disneyland-After-Dark on vo.rs</title><link>https://vo.rs/tags/disneyland-after-dark/</link><description>Recent content in Disneyland-After-Dark on vo.rs</description><generator>Hugo</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Thu, 20 Nov 2025 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/disneyland-after-dark/index.xml" rel="self" type="application/rss+xml"/><item><title>D-A-D: The Danish Cowboys Who Nearly Conquered America</title><link>https://vo.rs/encore/d-a-d-danish-cowboys/</link><pubDate>Thu, 20 Nov 2025 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/d-a-d-danish-cowboys/</guid><description>&lt;p&gt;There is a photograph in every Danish rock fan&amp;rsquo;s memory of four men in cowboy hats who have plainly never worked a ranch in their lives, grinning like they got away with something. They did. For roughly eighteen months at the tail end of the 1980s, a Copenhagen band that started life with the gloriously stupid name Disneyland After Dark had a Warner Bros. contract, a song climbing the American rock charts, and a genuine, credible run at the thing every European band dreams about and almost none of them get: breaking the United States. They did not break it. But how close they came, and precisely how the door swung shut, is one of the best near-miss stories the Nordic scene has to offer — and the reason D-A-D remain a national institution at home forty-odd years on.&lt;/p&gt;</description></item></channel></rss>