<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Death Metal on vo.rs</title><link>https://vo.rs/tags/death-metal/</link><description>Recent content in Death Metal on vo.rs</description><generator>Hugo</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Wed, 18 Dec 2024 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/death-metal/index.xml" rel="self" type="application/rss+xml"/><item><title>Growled Vocals: How to Scream for Twenty Years</title><link>https://vo.rs/encore/growled-vocals/</link><pubDate>Wed, 18 Dec 2024 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/growled-vocals/</guid><description/></item><item><title>Opeth: Mikael Åkerfeldt's Long Goodbye to Growling</title><link>https://vo.rs/encore/opeth/</link><pubDate>Tue, 14 Nov 2023 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/opeth/</guid><description>&lt;p&gt;In 2011 one of the best death metal bands in the world put out an album with no death metal on it, and split its own audience clean down the middle. That album was &lt;em&gt;Heritage&lt;/em&gt;, the band was Opeth, and the man who did it on purpose was Mikael Åkerfeldt, following his own taste off a cliff he had been walking towards for years.&lt;/p&gt;
&lt;p&gt;Opeth formed in Stockholm in 1989, and Åkerfeldt took the wheel early, becoming the songwriter, guitarist, lead vocalist and guiding intelligence of the whole project. For roughly two decades they were the most sophisticated death metal band going — a group that treated brutality and beauty as equal partners, and swung between them inside a single ten-minute song. That combination is the thing to understand about Opeth, because it explains both the greatness and the eventual divorce with half their fans.&lt;/p&gt;</description></item><item><title>The Blast Beat: How the Double-Kick Conquered Metal</title><link>https://vo.rs/encore/the-blast-beat/</link><pubDate>Tue, 14 Jun 2022 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/the-blast-beat/</guid><description>&lt;p&gt;There is a sound at the far end of loud music that stops feeling like drumming and starts feeling like weather. Kick, snare and cymbal fire together at a speed the human ear cannot separate into individual hits, and the whole thing becomes a wall of grey static with a pulse buried in it. That is the blast beat, and once you know how it is built you cannot un-hear it — in the pit it is the difference between a fast song and a genuinely overwhelming one.&lt;/p&gt;</description></item><item><title>Baest: Aarhus Death Metal With a Butcher's Confidence</title><link>https://vo.rs/encore/baest/</link><pubDate>Tue, 07 Jun 2022 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/baest/</guid><description/></item><item><title>Hatesphere and Illdisposed: Danish Death Metal's Workhorses</title><link>https://vo.rs/encore/hatesphere-illdisposed/</link><pubDate>Tue, 08 Mar 2022 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/hatesphere-illdisposed/</guid><description/></item></channel></rss>