<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Creature Feature - vo.rs</title><link>https://vo.rs/tags/creature-feature/</link><description>Latest from the Creature Feature desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Fri, 23 May 2025 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/creature-feature/" rel="self" type="application/rss+xml"/><item><title>The Descent: The Best British Horror of Its Decade</title><link>https://vo.rs/screen/the-descent-the-best-british-horror-of-its-decade/</link><description>&lt;p&gt;There is a stretch in the middle of &lt;em&gt;The Descent&lt;/em&gt; — after the passage collapses, before anything with teeth appears — where the film is simply six women in a hole in the ground realising no one knows where they are. No monster. No score to speak of. Just rock, dark, and the dawning arithmetic of being trapped. That stretch is the reason Neil Marshall&amp;rsquo;s 2005 film is the best British horror of its decade, and possibly the best British creature feature ever made. It understood that the crawlers were a bonus. The cave was the horror.&lt;/p&gt;</description><pubDate>Fri, 23 May 2025 09:00:00 +0000</pubDate></item></channel></rss>