<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Cinematography - vo.rs</title><link>https://vo.rs/tags/cinematography/</link><description>Latest from the Cinematography desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Tue, 07 Apr 2026 13:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/cinematography/" rel="self" type="application/rss+xml"/><item><title>Denis Villeneuve: The Widescreen Unease</title><link>https://vo.rs/screen/denis-villeneuve-the-widescreen-unease/</link><description>&lt;p&gt;Denis Villeneuve makes enormous films that feel like someone holding their breath. This is the paradox at the centre of his work, and it is why he ended up with the keys to &lt;em&gt;Blade Runner&lt;/em&gt; and &lt;em&gt;Dune&lt;/em&gt; while flashier directors were left arguing on Twitter. He takes the largest canvas the industry can print — 65mm, IMAX, budgets with a lot of zeroes — and uses it to render a very small, very human sensation: the moment before the bad thing, stretched until the room goes quiet. Nobody working at his scale is as comfortable with silence, and nobody makes silence feel as much like a threat.&lt;/p&gt;</description><pubDate>Tue, 07 Apr 2026 13:00:00 +0000</pubDate></item></channel></rss>