<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Brian De Palma - vo.rs</title><link>https://vo.rs/tags/brian-de-palma/</link><description>Latest from the Brian De Palma desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Thu, 18 Jul 2024 12:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/brian-de-palma/" rel="self" type="application/rss+xml"/><item><title>Phantom of the Paradise: De Palma's Rock Opera of Faustian Rot</title><link>https://vo.rs/screen/phantom-of-the-paradise-de-palmas-rock-opera-of-faustian-rot/</link><description>&lt;p&gt;&lt;em&gt;Phantom of the Paradise&lt;/em&gt; came out in 1974, died almost everywhere, and then refused to die at all. In most American cities it played to empty houses. In Winnipeg it ran for months and became a civic obsession; in Paris it was a hit; everywhere else it waited, on late-night television and worn videotape, for the audience it deserved. That audience turned out to be enormous and devoted, and half a century later Brian De Palma&amp;rsquo;s glam-rock horror musical looks less like a curio and more like the missing link between the Universal monster picture and everything gaudy and heartbroken that came after it.&lt;/p&gt;</description><pubDate>Thu, 18 Jul 2024 12:00:00 +0000</pubDate></item></channel></rss>