<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Blaxploitation - vo.rs</title><link>https://vo.rs/tags/blaxploitation/</link><description>Latest from the Blaxploitation desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 02 Feb 2026 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/blaxploitation/" rel="self" type="application/rss+xml"/><item><title>Ganja &amp; Hess: The Art-House Vampire Film Nobody Financed Twice</title><link>https://vo.rs/screen/ganja-hess-the-art-house-vampire-film-nobody-financed-twice/</link><description>&lt;p&gt;There is a particular kind of movie miracle that only happens when someone hands an artist the wrong brief and looks away for eighteen months. In 1972 &lt;em&gt;Blacula&lt;/em&gt; had made money, and the small outfit Kelly-Jordan Enterprises wanted their own Black vampire picture to ride the wave. They gave the job to Bill Gunn — playwright, novelist, actor, a genuine New York intellect — and Gunn took the money and made something that has almost nothing to do with the assignment. &lt;em&gt;Ganja &amp;amp; Hess&lt;/em&gt; is a vampire film the way a fever dream is a nap. It played the 1973 Cannes Critics&amp;rsquo; Week, one of the very few American films chosen that year, and the audience is said to have applauded for a good long while. Then it came home, and the people who paid for it did not recognise what they had bought.&lt;/p&gt;</description><pubDate>Mon, 02 Feb 2026 09:00:00 +0000</pubDate></item></channel></rss>