<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Apartment Trilogy - vo.rs</title><link>https://vo.rs/tags/apartment-trilogy/</link><description>Latest from the Apartment Trilogy desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Fri, 26 Dec 2025 08:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/apartment-trilogy/" rel="self" type="application/rss+xml"/><item><title>The Tenant: Polanski Completes the Apartment Trilogy</title><link>https://vo.rs/screen/the-tenant-polanski-completes-the-apartment-trilogy/</link><description>&lt;p&gt;Roman Polanski&amp;rsquo;s &lt;em&gt;The Tenant&lt;/em&gt; has spent fifty years being the one people forget. Ask a room to name his horror films and you will get &lt;em&gt;Rosemary&amp;rsquo;s Baby&lt;/em&gt; instantly, &lt;em&gt;Repulsion&lt;/em&gt; from the more committed, and then a pause. &lt;em&gt;The Tenant&lt;/em&gt; is the third panel of a triptych that critics only later agreed to call the Apartment Trilogy, and it is the strangest, the most personal, and — I would argue — the one that reveals what the other two were about all along. It is also the one where Polanski cast himself as the victim, which turns out to be the whole game.&lt;/p&gt;</description><pubDate>Fri, 26 Dec 2025 08:00:00 +0000</pubDate></item></channel></rss>