<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Anime - vo.rs</title><link>https://vo.rs/tags/anime/</link><description>Latest from the Anime desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Sat, 11 Oct 2025 10:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/anime/" rel="self" type="application/rss+xml"/><item><title>Ghost in the Shell (1995): The Frames Everyone Quoted</title><link>https://vo.rs/screen/ghost-in-the-shell-1995-the-frames-everyone-quoted/</link><description>&lt;p&gt;Some films are influential in the loose sense that people took ideas from them. Mamoru Oshii&amp;rsquo;s &lt;em&gt;Ghost in the Shell&lt;/em&gt; is influential in the literal sense that people took its shots. The falling green code, the dive from a skyscraper under an invisibility cloak, the slow drift through a drowned neon city while a choir keens overhead — these are images the next thirty years of science fiction lifted, reframed and sold back to us, sometimes with the debt acknowledged and often without. It is one of the most quoted films in the genre, and the strange thing is how quiet and contemplative the original actually is.&lt;/p&gt;</description><pubDate>Sat, 11 Oct 2025 10:00:00 +0000</pubDate></item><item><title>Akira: The Anime That Sold the West on the Form</title><link>https://vo.rs/screen/akira-the-anime-that-sold-the-west-on-the-form/</link><description>&lt;p&gt;There is a shot early in &lt;em&gt;Akira&lt;/em&gt; that did more for animation in the West than a decade of arguments could. A red motorcycle brakes at speed, and instead of a cut the camera holds on the tyre laying a long streak of light down a wet Neo-Tokyo motorway, the whole machine sliding sideways with a weight and follow-through no Western cartoon of 1988 would have dared to draw. Anyone who saw that on a battered VHS tape understood in a heartbeat that animation could carry adult weight, real speed and genuine dread. &lt;em&gt;Akira&lt;/em&gt; is the film that changed the argument, and it changed it by spending money most anime never saw.&lt;/p&gt;</description><pubDate>Thu, 28 Aug 2025 10:00:00 +0000</pubDate></item><item><title>Anime's Live-Action Curse</title><link>https://vo.rs/screen/animes-live-action-curse/</link><description>&lt;p&gt;There is a graveyard at the edge of the film industry, and it is full of live-action anime adaptations. &lt;em&gt;Dragonball Evolution&lt;/em&gt; (2009) lies there, a name spoken in whispers, so reviled that a screenwriter later apologised to fans in public. Nearby rest the 2017 &lt;em&gt;Ghost in the Shell&lt;/em&gt;, the 2017 Netflix &lt;em&gt;Death Note&lt;/em&gt;, and the swiftly cancelled &lt;em&gt;Cowboy Bebop&lt;/em&gt; series of 2021. The curse is real, it is remarkably consistent, and it is worth understanding, because the reasons a great anime turns to ash in live action reveal something precise about what each medium can and cannot do.&lt;/p&gt;</description><pubDate>Sat, 13 Jul 2024 13:00:00 +0000</pubDate></item></channel></rss>