<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Andrzej Zulawski - vo.rs</title><link>https://vo.rs/tags/andrzej-zulawski/</link><description>Latest from the Andrzej Zulawski desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Fri, 21 Nov 2014 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/andrzej-zulawski/" rel="self" type="application/rss+xml"/><item><title>Possession (1981): Zulawski's Divorce as Apocalypse</title><link>https://vo.rs/screen/possession-1981-zulawskis-divorce-as-apocalypse/</link><description>&lt;p&gt;There is a kind of film you cannot recommend without a warning and cannot forget once you have seen it, and Andrzej Zulawski&amp;rsquo;s &lt;em&gt;Possession&lt;/em&gt; (1981) is the reigning example. For decades it was hard to see at all, banned in Britain during the video-nasty panic, circulated on grey-market tapes cut to ribbons, mythologised by the people who had endured it. Time and a proper restoration have done it justice, and the film that emerges is not the exploitation curio its reputation suggested. It is one of the most harrowing accounts of a marriage ending ever committed to film, and it happens to contain a monster.&lt;/p&gt;</description><pubDate>Fri, 21 Nov 2014 09:00:00 +0000</pubDate></item></channel></rss>