<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Andrew Lau - vo.rs</title><link>https://vo.rs/tags/andrew-lau/</link><description>Latest from the Andrew Lau desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 08 Sep 2025 11:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/andrew-lau/" rel="self" type="application/rss+xml"/><item><title>Infernal Affairs: The Original Scorsese Remade</title><link>https://vo.rs/screen/infernal-affairs-the-original-scorsese-remade/</link><description>&lt;p&gt;There is a good chance you have seen &lt;em&gt;Infernal Affairs&lt;/em&gt; without knowing it, because Martin Scorsese won his only Best Picture Oscar for the remake. &lt;em&gt;The Departed&lt;/em&gt; is a fine, foul-mouthed, blood-soaked Boston opera, and it owes its entire skeleton — two moles, one planted by the police inside the mob, one planted by the mob inside the police, each racing to unmask the other before he is unmasked himself — to a taut 101-minute Hong Kong thriller from 2002 that most Western audiences never bothered to find. Directed by Andrew Lau and Alan Mak, &lt;em&gt;Infernal Affairs&lt;/em&gt; is the leaner, sadder, more elegant film, and revisiting it after the remake is a lesson in how much can be gained by cutting rather than adding.&lt;/p&gt;</description><pubDate>Mon, 08 Sep 2025 11:00:00 +0000</pubDate></item></channel></rss>