<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Amy Jump - vo.rs</title><link>https://vo.rs/tags/amy-jump/</link><description>Latest from the Amy Jump desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Thu, 16 Oct 2014 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/amy-jump/" rel="self" type="application/rss+xml"/><item><title>Kill List: Ben Wheatley's Bait-and-Switch into the Dark</title><link>https://vo.rs/screen/kill-list-ben-wheatleys-bait-and-switch-into-the-dark/</link><description>&lt;p&gt;Ben Wheatley&amp;rsquo;s &lt;em&gt;Kill List&lt;/em&gt; (2011) is the film that made me trust him, and it did it by lying to me for forty minutes. You sit down to what appears to be a hard British drama about a marriage falling apart at a dinner table, and by the closing frames you are somewhere that should not be reachable from that starting point, a torchlit hillside where robed figures are chanting. The astonishing thing is that the route is real. Watch it a second time and every turn is signposted; the film only feels like a betrayal because you were not paying the right kind of attention. That is the trick, and it is a genuine one.&lt;/p&gt;</description><pubDate>Thu, 16 Oct 2014 09:00:00 +0000</pubDate></item></channel></rss>