<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Alissa White-Gluz on vo.rs</title><link>https://vo.rs/tags/alissa-white-gluz/</link><description>Recent content in Alissa White-Gluz on vo.rs</description><generator>Hugo</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Sun, 05 Mar 2023 09:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/alissa-white-gluz/index.xml" rel="self" type="application/rss+xml"/><item><title>Arch Enemy: Melodic Death and the Frontwoman Era</title><link>https://vo.rs/encore/arch-enemy/</link><pubDate>Sun, 05 Mar 2023 09:00:00 +0000</pubDate><guid>https://vo.rs/encore/arch-enemy/</guid><description>&lt;p&gt;The single most important thing Arch Enemy ever did had nothing to do with a riff. In 2000 they hired a woman to do the growling, and in doing so they quietly dismantled one of extreme metal&amp;rsquo;s dumbest assumptions — that the person delivering the guttural roar had to be a man. Two decades and two frontwomen later, that decision looks like one of the more consequential hires in modern metal.&lt;/p&gt;</description></item></channel></rss>