<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Alfonso Cuaron - vo.rs</title><link>https://vo.rs/tags/alfonso-cuaron/</link><description>Latest from the Alfonso Cuaron desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Sun, 24 Mar 2024 10:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/alfonso-cuaron/" rel="self" type="application/rss+xml"/><item><title>Children of Men: The Long Take as Despair and Hope</title><link>https://vo.rs/screen/children-of-men-the-long-take-as-despair-and-hope/</link><description>&lt;p&gt;Alfonso Cuarón&amp;rsquo;s &lt;em&gt;Children of Men&lt;/em&gt; arrived in the autumn of 2006 and did indifferent box office, which now reads like a joke history has been slow to laugh at. Almost twenty years on it is quoted, storyboarded and stolen from constantly, and the phrase people reach for is always the same: the long takes. Everyone remembers the long takes. What they remember less clearly is why a film about the death of the future should feel, minute for minute, more alive than almost anything around it.&lt;/p&gt;</description><pubDate>Sun, 24 Mar 2024 10:00:00 +0000</pubDate></item></channel></rss>