<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Alain Delon - vo.rs</title><link>https://vo.rs/tags/alain-delon/</link><description>Latest from the Alain Delon desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 13 Oct 2025 10:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/alain-delon/" rel="self" type="application/rss+xml"/><item><title>Le Cercle Rouge: Melville's Perfect Fatalist Heist</title><link>https://vo.rs/screen/le-cercle-rouge-melvilles-perfect-fatalist-heist/</link><description>&lt;p&gt;&lt;em&gt;Le Cercle Rouge&lt;/em&gt; opens with an epigraph Jean-Pierre Melville attributes to the Buddha: that when men are destined to meet, whatever paths they take, they will inevitably come together in the red circle. It is a lovely, resonant piece of Eastern fatalism, and Melville made it up. He invented the quotation, the attribution, the whole framing device, because he needed a philosophy to hang his 1970 crime film on and none existed that said exactly what he meant. That act of forgery tells you everything about the film that follows. &lt;em&gt;Le Cercle Rouge&lt;/em&gt; is a machine built to demonstrate a worldview, and the worldview is that these men were doomed before the first frame.&lt;/p&gt;</description><pubDate>Mon, 13 Oct 2025 10:00:00 +0000</pubDate></item></channel></rss>