<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Acid Western - vo.rs</title><link>https://vo.rs/tags/acid-western/</link><description>Latest from the Acid Western desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Mon, 25 Sep 2023 12:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/acid-western/" rel="self" type="application/rss+xml"/><item><title>El Topo: Jodorowsky and the Birth of the Midnight Movie</title><link>https://vo.rs/screen/el-topo-jodorowsky-and-the-birth-of-the-midnight-movie/</link><description>&lt;p&gt;There is a specific kind of film that only exists because someone decided ordinary screening hours were negotiable. Alejandro Jodorowsky&amp;rsquo;s &lt;em&gt;El Topo&lt;/em&gt; (1970) is the origin point of that idea. Before it, &amp;ldquo;midnight movie&amp;rdquo; meant a cheap horror double bill for insomniac teenagers. After it, midnight became a venue — a place where a film could gather a congregation instead of an audience, one week at a time, on word of mouth alone. More than fifty years on, the film that started the ritual remains the strangest thing to have ever done it.&lt;/p&gt;</description><pubDate>Mon, 25 Sep 2023 12:00:00 +0000</pubDate></item></channel></rss>