<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>42nd Street - vo.rs</title><link>https://vo.rs/tags/42nd-street/</link><description>Latest from the 42nd Street desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Fri, 08 Mar 2024 13:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/42nd-street/" rel="self" type="application/rss+xml"/><item><title>Grindhouse Double Bills and the Death of 42nd Street</title><link>https://vo.rs/screen/grindhouse-double-bills-and-the-death-of-42nd-street/</link><description>&lt;p&gt;Ask a young cinephile what &amp;ldquo;grindhouse&amp;rdquo; means and you will usually get a description of a look: scratched prints, missing reels, jump-splices, over-saturated colour, a fake &amp;ldquo;our feature presentation&amp;rdquo; bumper. That look is an invention of the 2000s, a nostalgic costume assembled by Quentin Tarantino and Robert Rodriguez for their 2007 double feature and copied a thousand times since. The real thing was never a genre or an aesthetic. It was a way of watching, tied to a specific few blocks of Manhattan, and when those blocks were redeveloped the way of watching died. What survives is a memory of a room, and a shelf of films that room built.&lt;/p&gt;</description><pubDate>Fri, 08 Mar 2024 13:00:00 +0000</pubDate></item></channel></rss>