<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>1970s Cinema - vo.rs</title><link>https://vo.rs/tags/1970s-cinema/</link><description>Latest from the 1970s Cinema desk at vo.rs.</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.</copyright><lastBuildDate>Sat, 09 Nov 2024 11:00:00 +0000</lastBuildDate><atom:link href="https://vo.rs/tags/1970s-cinema/" rel="self" type="application/rss+xml"/><item><title>Sorcerer: Friedkin's Cursed Masterpiece About Four Damned Men</title><link>https://vo.rs/screen/sorcerer-friedkins-cursed-masterpiece-about-four-damned-men/</link><description>&lt;p&gt;There is a film about four men driving two rotting lorries loaded with unstable dynamite across a Latin American jungle, and for roughly two decades it was easier to describe than to see. &lt;em&gt;Sorcerer&lt;/em&gt; opened in June 1977, cost somewhere north of twenty million dollars, and died so completely at the box office that William Friedkin — the man who had just made &lt;em&gt;The French Connection&lt;/em&gt; and &lt;em&gt;The Exorcist&lt;/em&gt; back to back — spent years afterwards being asked what went wrong. The answer was partly a title that promised sorcery and delivered sweat, and partly a small science-fiction picture that had opened a few weeks earlier and eaten the culture whole. The film itself is one of the great suspense machines American cinema ever built.&lt;/p&gt;</description><pubDate>Sat, 09 Nov 2024 11:00:00 +0000</pubDate></item></channel></rss>