Toe Wrestling: Derbyshire's Barefoot World Championship

Four drinkers, a grudge against the football team, and a sport Britain could actually win

Contents

Two barefoot competitors sit facing each other across a raised wooden platform the sport calls, with a straight face, the “toedium.” They interlock big toes across the middle and each tries to pin the other’s foot flat against a padded side panel and hold it there for three seconds. That is toe wrestling, Britain’s answer to arm wrestling, contested every year at a pub on the Staffordshire-Derbyshire border, and it exists for one of the most honestly petty reasons any sport has ever been invented: a group of English drinkers were sick of losing at everything else.

Invented out of pure sporting resentment

Advertisement

The story, and it holds up because the organisers themselves have never dressed it up as anything nobler, goes back to 1974 at Ye Olde Royal Oak Inn in the Staffordshire village of Wetton. Four regulars — Pete Cheetham, Eddie Stansfield, Pete Dean and Mick Dawson — got to talking about Britain’s dismal run of not producing world champions at much of anything, football very much included, and reasoned their way to an elegant solution: invent a sport nobody else in the world was playing yet, and Britain would have a world champion by Tuesday.

Toe wrestling was the sport they landed on, presumably because it required no equipment, no pitch, and no natural talent that a pub regular might not already possess. It has run every year since — the 2017 edition marks over four decades of continuous competition — making it one of the older deliberately-invented “instant folk sports” in Britain, alongside the shin-kicking of the Cotswold Olimpicks, though the Olimpicks can at least claim a genuine centuries-old pedigree behind their own version of the joke.

The rules of the toedium

The format is closer to arm wrestling than actual wrestling, which is rather the point — it borrows the same essential shape of contest and simply relocates it to the opposite end of the body. Competitors sit opposite one another, remove their shoes and socks, and lock big toes across the raised platform. The referee’s job includes an inspection most sports don’t require: feet are checked beforehand for verrucas, infections or anything else that might make gripping an opponent’s toe inadvisable, and any stimulant is banned before a bout with one very British exception — alcohol is explicitly permitted, on the reasonable theory that a pub sport invented in a pub ought not police the thing that got it invented in the first place.

A match runs best of three rounds: right foot, then left foot, and a deciding right-foot round if the first two split. A competitor wins a round by pinning their opponent’s foot flat against the toedium’s side panel for a count of three, and if the toes disengage during a bout, play stops and resets rather than awarding the point by accident. It is a small, precise ruleset for a contest that looks, from the outside, like two people trying very hard to hold hands with their feet.

A very British loophole

Advertisement

The logic behind toe wrestling’s invention is funnier the longer you sit with it, because it is not really a joke about sport so much as a joke about rules. A world championship, properly understood, only requires that a world championship exist — nobody has to sanction it, no federation has to recognise it, and no other country has to be any good at it yet. Four men in a Staffordshire pub spotted that loophole and drove a whole sport through it. Wales would later find its own version of the same loophole with a bog and a pair of flippers at the Bog Snorkelling World Championships, and Finland found it with a folk legend and a beer prize at the Wife-Carrying World Championships — different countries, different props, the same basic realisation that “world championship” is a title anyone can mint if they’re willing to commit to the bit for long enough.

The man who turned it into a dynasty

Every invented sport needs a face, and toe wrestling found an outstanding one in Alan “Nasty” Nash, a competitor who has made the championship close to his personal property since he first took the title in 1994. By this year’s tournament, Nash arrives as a 14-time world champion, a run of dominance that has made him the sport’s closest thing to a household name — profiled by outlets well beyond the toe wrestling world purely on the strength of how thoroughly he has owned his event. Other competitors have had long, respectable runs of their own, yet Nash is the one who turned a pub joke into something resembling an actual sporting dynasty, title defence after title defence, year after year, at a competition most of the country still assumes is a one-off novelty rather than a fixture.

Not just Nash’s show

Nash dominates the men’s field, but toe wrestling runs a separate women’s competition with its own history and its own characters, proof that the sport was never built as a single man’s vanity project. Lisa “Twinkletoes” Shenton has built her own reputation on the women’s side over the years, and the championship’s habit of handing competitors joke fighting names — Nash’s own “Nasty” nickname chief among them — has become part of the event’s texture, a small piece of pantomime layered on top of a genuinely competitive contest. It gives toe wrestling the same slightly theatrical flavour as British professional wrestling on a village-fete budget: real competition, real injuries, delivered with a stage name and a wink.

The one scandal the sport ever had

Toe wrestling’s organisers did, for a stretch, chase recognition well beyond the pub car park: in the 1990s they made a serious approach toward International Olympic Committee recognition, pursuing the ambition with the same straight face the rules committee brings to inspecting feet for verrucas before a bout. The bid went nowhere, and nobody involved seems to have lost much sleep over it, but the same era produced the sport’s one genuine scandal — a competitor was caught attempting to bribe a match official ahead of a bout, the kind of corruption usually associated with sports worth vastly more prize money than a Staffordshire pub trophy could ever offer. It remains toe wrestling’s answer to a doping scandal: proof, in its own small and slightly absurd way, that people had started taking the world title seriously enough to want to cheat for it.

A joke that outlasted its own punchline

What keeps toe wrestling interesting more than forty years on is that the founding joke has essentially stopped mattering. Nobody at the Bentley Brook Inn — the tournament’s long-time home near Ashbourne, a few miles from where it began in Wetton — is still making a point about Britain’s football failures. The football gag was the excuse to start; the thing that kept it running for over four decades is the same thing that keeps every good invented tradition alive, which is that it became fun to do regardless of why it began. Regulars kept turning up. New competitors kept training their toes, if such a thing can be said to be trained. A world championship, however invented, however small, still means something to the person who wins it, and Nash’s run of titles has given the event a genuine sporting narrative that the original four drinkers in 1974 could not possibly have planned for.

That is the pattern behind most of the durable British folk-sport inventions: the Cheese Rolling at Cooper’s Hill has a murkier, centuries-old origin nobody can pin down, while toe wrestling has the rare distinction of a documented birthday and four named inventors, and yet both have ended up in roughly the same place — a small crowd, a straight-faced ruleset, and a community that has simply decided this is what happens on the calendar every year, reasons be damned.

The venue has moved, the ritual hasn’t

The championship’s geography has shifted a little since 1974 without ever losing its sense of place. It began at the Royal Oak in Wetton, a Staffordshire village so small it barely troubles a map, and settled for most of its life at the Bentley Brook Inn near Fenny Bentley on the Derbyshire side of the border — close enough that the event gets claimed by both counties depending on who’s asking. That fuzziness over an exact county line feels apt for a sport whose founders never much cared about precision to begin with; what mattered was a pub with a car park big enough for a crowd, and a landlord willing to have his floor covered in bare feet for an afternoon.

Small sport, real injuries

I have not sat across that toedium myself, and I’ll stick to the honest version rather than invent a scene of a particular bout — this is a cultural read on an event I have followed from a distance, not a diary entry. What the record does make clear is that toe wrestling is gentler in scale than something like Cooper’s Hill, though it carries a real cost of its own: competitors and organisers alike have spoken publicly, over the years, about broken toes and other joint injuries picked up in serious bouts, the inevitable price of putting real leverage through a small, thinly padded joint never designed for combat sport.

That is, in miniature, the whole appeal of Britain’s stranger folk sports. Take something utterly mundane — a foot, a cheese, a hill — treat it with total competitive sincerity, and let the sincerity do all the comic work. Toe wrestling has been doing exactly that since four annoyed drinkers decided their country deserved a world championship, and more than forty years later, it still delivers one every summer, three rounds at a time, one foot after the other.

Advertisement
Advertisement
Rook
Written by Rook

vo.rs's live-music correspondent. Rook is a Copenhagen-based enthusiast who spends too much of the year in fields and sweatboxes watching loud bands, filing dispatches from the festivals, venues and strange spectacles of Europe and the occasional trip further afield. Expect strong opinions on sound, crowds and the price of a beer, a soft spot for anything heavy, and writing that treats a gig as the cultural event it is.