Enemy: Villeneuve's Spider, the Double, and the Dread
Before Arrival and Dune, Denis Villeneuve made his strangest, most private film
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Before Arrival and Dune, Denis Villeneuve made his strangest, most private film
Jerome Bixby's deathbed screenplay proves the genre's biggest idea needs no budget at all
How a Québécois miniaturist became the last director trusted with the biggest cameras in the world
The Primer director returns with a film you decode through the body, not the notebook
Danny Boyle and Alex Garland build one of the great modern space films, then flinch
Nacho Vigalondo builds a perfect causal engine out of one house, one forest, and one man
A review of the Spierig Brothers' time-travel film, and the impossible short story it dared to adapt straight
A revisit of Mamoru Oshii's cyberpunk landmark, and the images the rest of science fiction spent thirty years borrowing
A revisit of Katsuhiro Otomo's 1988 landmark, and how one film rewired what the West thought animation could do
A revisit of the wettest virtual-reality film ever made, and the one that saw the industry coming
A revisit of the film that swallowed a decade of cinema, and the three that tried to explain it
Alex Proyas built the reality-is-a-lie thriller a year early, on sets the Wachowskis would borrow
The cameras, the files and the watchers — nine films that got here first
Andrew Niccol's genetic-caste thriller was science fiction in 1997 and reads like a policy briefing now
A secret agent, a talking computer, and a dystopia built entirely out of 1965 Paris with no effects at all
Chris Marker's 28-minute photo-roman is the most influential science-fiction film almost nobody sees first
How Paramount blinked, sold the world to Netflix, and freed one of the decade's strangest studio pictures
Alex Garland's debut turns three people, a house and a machine into a slow, elegant trap
A one-man lunar mining station, a talking computer, and the best practical-effects sci-fi of its year
James Ward Byrkit shot a quantum nightmare in his own living room, and it works
Shane Carruth built a paradox machine for seven thousand dollars and dared you to keep up
Alfonso Cuarón's 2027 is the most convincing end of the world ever filmed
Villeneuve, Ted Chiang and a first contact story built out of language itself
Tarkovsky's ruined pilgrimage and the room that grants your deepest wish
The Soviet space film that turned inward while everyone else looked up
Villeneuve, Deakins and the rare follow-up that deepens the original
Seven versions, one masterpiece, and the small change that decides everything