Branded to Kill: Suzuki's Hit-Man Film That Got Him Sacked
The 1967 yakuza picture so strange the studio fired its director and blacklisted him for a decade
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The 1967 yakuza picture so strange the studio fired its director and blacklisted him for a decade
Carol Reed and Graham Greene turned occupied Vienna into a maze, and made an audience wait an hour for a smile
Polanski, Towne and the detective story that refuses to let its hero, or its city, be saved
A first feature made for pocket change that already knew every trick the brothers would spend forty years refining
The most exacting director in American cinema, and the men who work themselves to ruin inside his frames
The Korean director who uses monster movies, murder cases, and heist logic to open up a class system
Dan Gilroy's debut turns a self-help creep into the perfect predator for a city that sells its own wounds
A getaway driver, a scorpion jacket, and the coldest romance in Los Angeles
The Korean revenge film that made the world flinch and look again
A jury room, a coffin, a phone booth, a car doing seventy — the films that trap you in a single space and turn the walls into the enemy
The Hong Kong thriller that The Departed borrowed its bones from
The films that turned a national cinema into the most confident genre machine on earth
Fernando Meirelles turns a Rio slum into a decade-long war film
How a French jail turns an illiterate teenager into a boss
The crew, the plan, the thing that always goes wrong — ten heist films that get the process right
The chase film that withholds the chase's payoff, and hands the genre a coin toss instead
A missing-child thriller that traps everyone in it, and asks how far a good man will go
Christopher Nolan's amnesiac revenge puzzle and the reason its trick has never really been beaten
The serial-killer film that removed the killer and left only the suggestion
The most expensive suspense film of its decade, buried alive by Star Wars and rescued forty years late
James Caan cracks safes in rain-slicked Chicago while Tangerine Dream throbs, and every Michael Mann film that follows is already here
A young Kubrick took a pulp heist novel, shattered its clock, and built the fractured-timeline crime film everyone would later steal
A blacklisted American in Paris filmed the greatest robbery sequence in cinema with no music, no dialogue and no room to breathe
Alain Delon in a grey trenchcoat, a caged bird, and a professional killer's ritual filmed until it becomes a religion
Lee Marvin walks through a stolen city collecting a debt nobody wants to pay, in the coldest studio picture Hollywood let slip out
Mike Hodges's Newcastle revenge picture stripped the British crime film of every last excuse
Bob Hoskins plays a London mob boss dreaming of the Docklands — a decade before the developers arrived
Before Parasite, Bong Joon-ho turned a real serial-killer case into a portrait of a country that could not protect its own
David Fincher's coldest film is a study of what an unsolved case does to the men who cannot let it go
Michael Mann's crime epic hangs on five minutes at a coffee table